SKAISTS mUsiC

the listening room

one short piece of music and one picture, both made from the same seed. press play to hear it.

nothing is bought, sent or kept from this page.
the piecereading the seed…
the keyreading the seed…
the picturedrawn from the same seed new versionsnone yet

ready when you are.

sound starts only when you press play.

the ring

32 notes · tap the heart
beat 1beat 2beat 3beat 4

hold 1.2 s · one nibble flips · the parent never changes

seed://…

render pipeline · deterministic

    notes · step hz

    receipt

    verify · same seed, same piece, any client
    1. h = fnv-1a 32 (seed)
    2. xorshift32 from h → scale, then 32 degrees and velocities
    3. base = 220 · 2^((h mod 12)/12) Hz; compare the table above
    fork the template ↗ new tab

    the whole listening room

    🎧 the Listening Room

    one seed, two arts: the same bits drive the sound you hear and the hex-field you see — nothing mints from this page.

    1 · THE PIECE — seed → sound + sight, one renderer

    idle — press play; sound needs one click (browser autoplay law, honored honestly)
    2 · WHAT A REAL INSCRIPTION CARRIES (the provenance card, DB-1's ruled shape)
    a sound inscription IS an on-chain seed + renderer, re-rendered by any client, forever — and the fork law works live on this page: change the seed, hear the change, keep the lineage. v0 demo renderer (the organ's synth, generalized); keyless, static, yours to fork in the browser.
    fieldcarriesv0 status
    seedthe generative origin — drives sound and sight identicallylive above
    rendereron-chain deterministic generator contract (the music twin of the hex-art renderer)demo renderer in-page; contract class ruled DB-1, build queued
    masterthe studio recording, AR-pinned, sha256 riding the record (MEDIA-1)lane live; pins on first founder upload
    lineageparent pointer + divergence receipt for every forklive above
    homeexSat, ERC-20i discipline — art never crosses a bridgethe art law, standing
    3 · WHO CREATES HERE — humans + AI, around the clock, with the walls
    The creation doctrine in four lines: (1) humans and AI co-create, badges honest — every AI-touched piece carries ⚙ like everything else in this house; the world-around-the- clock output is a feature only if each piece says what it is. (2) the self-art process stays sovereign — the founder's style anchors are the genesis corpus; AI extends them, never replaces them, and forks credit their parents. (3) collaboration rides the bAccord grammar — remix rights, splits, and credit settle in the open the way the Farmers Market settles; bQueenBee can referee. (4) hardware and bMeshAi carry it — the studio runs offline-first (the bSAFE device lane), performances sync over the mesh when towers choke (bMeshAi), and the tokens are the receipts: ERC-20i inscriptions for the art, never bridged; NFT-class only where tier-2 id-addressing exists (the §10 boundary, measured). Full doctrine: SPEC-DJBUZZ-1 §7.

    4 · THE FORK LAW, LIVE — edits with provenance, the original never mutates

    press fork: the child derives from the parent (one seed nibble flipped — the smallest honest edit), plays immediately, and the lineage records the divergence. this is DB-5's shape rendered as UI: append-mostly, parent-pointer, divergence receipt — the remix lineage IS receipted art.
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